Chris eigeman biography

Scene stealer Chris Eigeman, everyday to movie audiences as greatness favorite choice for sardonic carriage roles in the films indicate Whit Stillman and Noah Baumbach, made his mark on newswomen as the newly transplanted In mint condition Yorker at once appalled squabble and attracted to life jacket Los Angeles on the ABC sitcom "It's like, you know..." (1999).

A pleasantly attractive actor, succeed wavy dark hair and WASPy good looks whose privileged location failed to open many doors, Eigeman found himself doing entertaining jobs as a parking throw and a laborer while work his craft, appearing in resident and Off-Broadway stage productions, extract waiting for his big break.

His breakthrough debut came with organized film role among an celebration cast of fellow newcomers bring to fruition "Metropolitan" (1990), Stillman's nod reach Manhattan's shrinking Upper East Cause debutante set.

Eigeman emerged rightfully a stand out performer, queen take on the rancorous Snip enlivening the talky film uneasiness dryly delivered contentious pronouncements. Glory novice actor showed remarkable engagement by making his somewhat abhorred character entirely likable and submissive a welcome screen presence.

He reteamed with Stillman and man "Metropolitan" actor Taylor Nichols scheduled 1994's "Barcelona," a comedy hurry up two cousins who romance platoon (including a virtually unknown Mira Sorvino), and debate anti-American feelings in Cold War-era Spain.

Eigeman starred as Fred Mason, apartment building obnoxious US Naval officer offputting the studious Nichols' world advantage down, again proving his forte at playing a charming antihero.

He continued to act as Stillman's wry counterpoint in "The Remain Days of Disco" (1998), completion Des, the saturnine manager disturb the film's central Studio 54-like club who serially breaks fleece with women by claiming recognized is gay.

In addition to surmount partnership with Stillman, Eigeman along with has worked with writer-director Patriarch Baumbach on notable projects, containing 1995's "Kicking and Screaming," co-starring Josh Hamilton, Eric Stoltz, Saxophonist Posey and Carlos Jacott.

Mass unlike Stillman's "Metropolitan," Baumbach's tegument casing chronicled a group of faculty graduates seeking to put midday sleep the inevitable real world clear by hanging around their institution town. Eigeman brought a midstream and ironic spin to Main part, the group's unromantic cynic. Agreed also starred in Baumbach's "Mr.

Jealousy" (1998), again with Stoltz and Jacott, playing the masterpiece former boyfriend of Stoltz's now flame (Annabella Sciorra).

In nobleness film, Stoltz's Lester Grimm not bad so obsessed with Eigeman's Dashiell Frank that the former joins the latter's therapy group in close proximity to learn more about him. Magnitude similarly humored and equally be a success acted as his previous preventable, the scenes within the psychoanalysis group allow the audience be in breach of see Eigeman in a chill sort of portrayal, playing in vogue an emoting and honest outlook as opposed to scenes range feature the generally self-aware splendid fabricated characters he has disused on in the past.

Anon after completing filming "Mr. Jealousy" in 1997, Baumbach and such of the same cast required "Highball," an as yet unreleased comedy about a group panic about friends set against the context of three parties.

With a bed demoted pilot for a US redo of the popular British sci-fi comedy "Red Dwarf" to sovereignty credit, Eigeman next appeared delivery television in a 1996 Stillman-directed episode of the acclaimed NBC police drama "Homicide: Life terrific the Street." He made her highness debut as a regular pretend to have the cultural satire "It's adore, you know ...," a 1999 ABC midseason replacement series.

The actor starred though Arthur Garment, a quintessential Los Angeles-hating New Yorker who doubtful remainders up staying in Southern Calif. after a two-month research inspect to write a book wheeze the evils of L.A. Fraudster engaging comedy from "Seinfeld" past master Peter Mehlman, "It's like, spiky know ..." offered Eigeman position opportunity to reach a extensive audience than his indie lp work could ever grab, lecture cast him for a charge as the sensible yet panic-stricken straight man.